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Höfner / Hofner
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type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1956 | set | violin | wave | yes | yes |
notes: First genuine violin bass with a hollow body like a violin! For historical details look here. This is an early model with only one pickup and oval contol plate; tailpiece with 'Karl Höfner'-sign. |
type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1956-58 | set | violin | wave | yes | yes |
notes: Same model as above but with two pickups and appropriate control plate |
type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1959-60 | set | violin | wave | yes | yes |
notes: 'Toaster'-pickup, rectangular contol plate; dark pickguard and control plate, tailpiece hence without the 'Karl Höfner'-sign. |
type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1961-62 | set | violin | wave | yes | yes |
notes: First 'Cavern' model, diamond pickups, this one is a lefty (same as Sir Paul plays) having already single string tuners. This is the first model which should later become famous as 'Beatle Bass'. |
type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1963-64 | set | violin | wave | yes | yes |
notes: Best known model also played by Paul McCartney since 1963, new pickups (type 511) are now on neck and bridge (first pickup type not manufactured at Hofner themselves) |
type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1965-66 | set | violin | wave | yes | yes |
notes: Same model as above with some changes like split back, axis through tuning knobs, and the most significant modifications on the body, refer to comparison below. The changing of the decal-logo to the raised plasic-logo isn't a reliable characteristic, since it differed, not only depending on the 'export-model' question. |
Pickup type 511, small frame 4 locking screws sidewise pickguard has only small cuts for the pickup frames long tailpiece and small control panel, both adopted from the cavern | Pickup type 511 large frame later used for pickup type 513 pickguard needs larger cuts for these frames shorter tailpiece large control panel |
type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1967-71 | set | violin | wave | yes | yes |
notes: New pickups (type 513), large control panel and short tailpiece adopted from the 65 model, now closed string tuners |
type | origin | year | neck | construction | headstock | zero fret | trussrod |
---|---|---|---|---|---|---|---|
500/1 | West-Germany | 1972- | set | violin | wave | yes | yes |
notes: Farewell of the 'tea cup'-knobs and cream slides. New active versions as the 500/1M (sound mix) and the 500/1B (bass boost). These sound-improved models were already in the Höfner program since 1967 mainly for the export. Although perhaps better sounding they hadn't the look customers expected and the sales never reached the figures of the 'Original'. |